The album concludes with the fantastic remix found on LIBN. Ringo and Paul’s chatter from GB2 is edited onto the superior take from LIBN Here the introduction from GB2 is edited onto the mix found on LIBN. This is the crystal clear mix found on LIBN. It goes onto the ending with John’s quip and introduction of Let It Be. Starting the in-studio side of the album, this is the extended mix found on GB2, faded in at the same point as found on LIB. This is the LIBN mix with the tuning intro and John’s infamous “Thanks!” from LIB edited onto the LIBN mix, to conclude the rooftop performance side of the album. John’s adlib intro from the LIB is edited onto the LIBN mix. The “Danny Boy” outro from LIB is edited onto the LIBN mix. The introduction chatter from LIB and outro is edited onto the mix found on LIBN. This is the great-sounding mix from LIBN, but with the introductory chatter from GB2 and the outro from LIB edited back onto the beginning and ending. So, enjoy the Beatles album that never was, a fantastic album that fits perfectly as the link between The White Album and Abbey Road… The track sequence was designed for cohesion and flow. An attempt was made to include the best takes of the material, while also retaining the loose and improvisational spirit of the sessions-a mock Beatles live recording.

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Also, most of the basic mixes used are the superior Let It Be…Naked versions, but interplayed with chatter and linking material pulled from either Phil Spector’s Let It Be or the second Glyn Johns mix of Let It Be. My reconstruction divides the material into two groups, featured on each side of the album: Side A features mainly the songs performed on The Beatles’ rooftop performance, and Side B features the remainder of the songs from the session, the “in-studio” songs. The purpose of this reconstruction of the Get Back album is to attempt to successfully create the album that The Beatles set out to make in 1969, as all four versions of the Get Back/ Let It Be albums were fatally flawed in some way.

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